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Seasonata
See a sample Open the studio
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Seasonata
For orchestras, opera companies, ensembles & soloists

Your whole concert campaign, written in your voice.

Press release, announcement email, social posts, a program note, graphics — and a print-ready concert program with a matching phone page. All from one description of the concert.

No sign-in to try it. Built for groups with no marketing staff.
Two ways in

New to it, or bringing years of programs with you.

Either way, you only ever write what’s new about this concert.

Established groups

Start from a program you already have

Upload last season’s program. Seasonata matches your look and carries over your people — letter for letter.

  • Your layout, learned from your own pages
  • Sponsors, donors, board & staff — copied exactly, never retyped by AI
  • Your roster, read and confirmed
Bring your program →
First program

Start fresh

Pick how it should look from real examples, then tell us the concert. The music-program style rules are applied for you as you type.

  • Repertoire the way you’d say it — the engine sets the type
  • A live preview of the actual booklet as you build
  • Print-ready PDF and a phone page with a QR code
Build your first →
Seasons, not just concerts

Paste the whole season. It comes back a plan.

Drop your season in — dates, programs, artists — and Seasonata maps it. Every concert gets its own campaign kit, and the season itself gets one more: the announcement that sells the arc.

Every concert

A kit per concert, from one map

Each row of your season opens into a full campaign — email, social posts, program note, press — written in your voice, and nothing goes out without your approval.

  • The map shows what’s drafted, approved, or still to build
  • Start next season from this one — your people, sponsors, and advertisers carry forward
The season itself

One campaign for the whole arc

The season campaign announces all of it at once — and asks your audience to stay for the year, not just the night.

  • Season announcement — press release, email, and social posts
  • A subscription & renewal appeal grounded in your donor memory — it never names a donor or invents an amount
  • A season one-sheet for the box office, the board, the lobby
Map your season → Paste your concert list in the studio — no sign-in to look around.
Program advertising

The ads in your program, sold without the chasing.

Local businesses buy space in your program every season. Seasonata runs the part everyone dreads — the asking, the artwork, the proof, the invoice — and remembers who bought last time.

For you

Send one link. That’s the whole ask.

Pick the businesses, and Seasonata writes the offer in your voice with your rates. You send a link — no forms to build, no files to collect over email.

  • Rates, sizes, and deadlines from your own program
  • Every reservation lands in the studio for your approval
  • Last season’s advertisers, carried forward with a nudge to renew
For the business

They upload on their phone, in a minute.

The buyer opens your link, picks a size, and uploads artwork on whatever device they’re holding. If they don’t have a file ready, Seasonata goes and finds their logo.

  • No account, no app — the link is the whole experience
  • Logo found on their own website, shown to them before it’s used
  • A proof they approve, then an invoice from you
Start selling ads → Opens the ad sales step — no sign-in to look around.
What it won’t do

The most useful thing it does is refuse.

The risk in this repertoire was never clumsy writing — it’s confident invention. A premiere date that never happened, a title quietly “corrected,” a quote nobody said. It reaches an audience that knows this music better than any model does, with your name on it.

A note about a work you didn’t program

Drafted program notes may only discuss works that are already on your listing — and they print your title, never the model’s rewording of it. Ask for a piece that isn’t on the program and it declines.

A press quote nobody said

Quotes pulled from your own website have to appear word for word on the page they came from. Anything that doesn’t is set aside and counted, where you can see it.

A donor’s name in an appeal

Fundraising copy speaks to giving levels in aggregate. It never names an individual donor and never states or implies an amount — those belong to your files, not to a draft.

A fact invented to fill a gap

Where your materials are thin, drafts stay short and honest rather than reaching for history that isn’t there. A note about what the music does needs no citation; a premiere date does.

Every one of those is a rule in the code, not an instruction in a prompt — which is why the section below can show you the receipts.

Why it’s trustworthy

The rules decide. The AI only phrases.

Classical musicians are exacting about their programs — so the parts that must be correct aren’t left to a language model.

Correct by construction

The program listing follows the standard music style sheet — italics, roman numerals, instrument names — enforced by code, not guessed.

Your names, exactly

When you upload a past program, the AI points at where the donor and roster lists are. The names are copied from your file, never retyped.

Your voice, learned

Paste a real press release or a few posts and every draft sounds like your organization — not like generic AI copy.

Receipts

Here’s a listing it typeset. Ask it why.

Real output from the style engine — the concert from the top of the page, set by rule. Touch a receipt to see what it decided, and what it refused to do.

Piano Concerto in One Movement
Maria Chen, piano
Florence Price
(1887–1953)
INTERMISSION
Symphony No. 5 in C minor, Op. 67
Allegro con brio
Andante con moto
Scherzo: Allegro
Allegro
Ludwig van Beethoven
(1770–1827)

The listing above is the engine’s actual output, byte for byte — a test fails if this page and the engine ever disagree. The rules are the standard style sheet for concert programs (D. Kern Holoman, Writing About Music), enforced in code. The AI drafts your prose; it is never allowed to typeset the listing.

Ready when you are

See what it makes for your next concert.

In development — not available yet

The plan that doesn’t sit in a drawer.

Most strategic plans are written once, approved, and never opened again. The next thing we’re building is a plan that stays alive: goals with an owner and a measure, a ten-minute check-in before each board meeting, and a board report that writes itself — honestly, including the parts that are behind.

Built on your own numbers

Your public filings already show your revenue mix and how it has moved. The plan starts from what is true, not from a blank page.

Answerable to the board

One short check-in per quarter becomes the report you already have to write — green, yellow, and red, with the evidence attached.

It survives the volunteer who leaves

When the president rotates off, the organization’s memory shouldn’t leave with them.

We’re building this with a handful of organizations first — want to be one of them? Nothing above is live yet; everything else on this page is.